Re-Wilding
TECH
The use of technology for Re-Wilding is a subtle presence.
The intention is to include digital audio-visual elements within layers of organic and fabricated installation materials so the viewer has the impression of the images and sounds being an elemental part of the environment. (As opposed to “screen staring”)
As the whole installation is a fantasy conglomerate of all types of nature environments (from ocean to jungle to desert and more) – the digital captures will also be sourced from many varied environments. It is a way of representing the environments of our world in one place.
There will also be other sources of light and shadow play.
Some clip lights with gels or coloured LEDs are hidden throughout the “Forest” area.
Another form of light play is a Ripple Projector:
Video of water ripple projector:
LIST OF TECH GEAR WITH CORRELATING ARTISTIC ELEMENTS:
VISUAL
TECH GEAR: Projector and Player to run digital files
DIGITAL FILES: Moving images - Waterfalls, Moving Water, Light
AREA OF INSTALLATION: “Waterfall”
TECH GEAR: Digital Picture Frames
DIGITAL FILES: Still Images - Details of specific plants (rotating images)
AREA OF INSTALLATION: “Forest”
TECH GEAR: TV Monitors and Player to run digital files
DIGITAL FILES: Moving images – Nature Environments
AREA OF INSTALLATION: Not sure yet
TECH GEAR: Lights – Colour LEDs, Clip Lights or Theatrical Lights with gels
AREA OF INSTALLATION: “Forest” – plus wherever needed
AUDIO
TECH GEAR: PA System – Speakers, Mics, Player for Sound files
DIGITAL FILES: Sound recordings – Nature Sounds
(water – wind – birds – insects)
LIVE SOUND: Vocal and Instrumental
QUESTION:
Do digital and live sound sources need to go through different PA systems? Or can they go through the same one?
DIGITAL FILE ARTISTIC CONTENT:
LINK TO ENVIRONMENTS – LONG FORM NATURE RECORDINGS:
https://apps.apple.com/app/id1294132065
EXAMPLES OF IMAGES FROM PREVIOUS RAW MATERIAL PROJECTS:
https://www.flickr.com/photos/114531261@N02/albums/72157668247860170
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